Tiffany Studios New York "Peacock" Table Lamp

This Tiffany Studios New York "Peacock" leaded glass and bronze table lamp showcases a stunning array of vibrantly colored peacock feathers, meticulously crafted from multi-toned glass. The shade features prominent quills and sixteen peacock eyes arranged in two staggered rows. The feathers, rendered in a striking mix of orange and green, are framed within emerald-hued ovals set against an amber background. The breathtaking fern-shaped base is adorned with evening primrose leaves, a wildflower often found alongside ferns in their natural habitat. Additionally, the stem is decorated with the curled young fronds of the maidenhair spleenwort, a plant typically found on wet cliffs and old stone walls.
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Category: Divine Discoveries Table Lamps Tiffany Lamps Tiffany Studios New York
Product Details

Item #: L-21661
Artist: Tiffany Studios New York
Country: United States of America
Circa: 1900
Dimensions: 16" diameter, 23" height.
Materials: Leaded Glass, Bronze
Shade Signed: Tiffany Studios New York
Base Signed: Tiffany Studios New York 2781 with Tiffany Glass & Decorating Company Monogram
Literature: Dr. Egon Neustadt, The Lamps of Tiffany, New York, 1970, p. 137 (for the shade model) Martin Eidelberg, Alice Cooney Frelinghuysen, Nancy A. McClelland and Lars Rachen, The Lamps of Louis Comfort Tiffany, New York, 2005, p. 65, no. 88 (for the present base illustrated) Alastair Duncan, Tiffany Lamps and Metalware, Woodbridge, Suffolk, 2007, p. 77, nos. 299 - 300 (for the model), p. 79, no. 308 and p. 142, no. 591 (for the shade model)

Item #: L-21661
Artist: Tiffany Studios New York
Country: United States of America
Circa: 1900
Dimensions: 16" diameter, 23" height.
Materials: Leaded Glass, Bronze
Shade Signed: Tiffany Studios New York
Base Signed: Tiffany Studios New York 2781 with Tiffany Glass & Decorating Company Monogram
Literature: Dr. Egon Neustadt, The Lamps of Tiffany, New York, 1970, p. 137 (for the shade model) Martin Eidelberg, Alice Cooney Frelinghuysen, Nancy A. McClelland and Lars Rachen, The Lamps of Louis Comfort Tiffany, New York, 2005, p. 65, no. 88 (for the present base illustrated) Alastair Duncan, Tiffany Lamps and Metalware, Woodbridge, Suffolk, 2007, p. 77, nos. 299 - 300 (for the model), p. 79, no. 308 and p. 142, no. 591 (for the shade model)

Curator's Notes
For Tiffany, the peacock was the living incarnation of iridescence in the natural world. In a letter to Hugh Mckean, Tiffany’s granddaughter Helena de Kay recalled that Tiffany raised peacocks for consumption in his farm complex. Entranced with their beauty, Tiffany would bring the birds from the farm to wander the grounds of Laurelton Hall. As part of a spring flower-viewing party, a sixty-six-year-old Tiffany threw his now-fabled “Peacock Feast.” The guest list included notable artists, architects, sculptors, and literati who would laud the soirée for years to come. The theme of the party is ascribed to the legend of Juno and Argus from Ovid’s Metamorphoses. According to legend, Juno kidnaps Jupiter’s lover Io, and sets her hundred-eyed giant Argus to the task of guarding her. In vengeance, Jupiter dispatched Mercury, the messenger of the gods to behead Argus. Upon seeing his lifeless body, Juno decorated the plumage of the peacock with Argus’ eyes. For the feast, peacocks from Tiffany’s farms were flayed, roasted, and redressed in their gorgeous plumage. Tiffany based the format of the peacock feast on medieval Christmas tradition. Towards the end of the feast, the peacock was brought ceremoniously with music to the end of the table. The train of ladies ordered from highest to lowest rank would march to the master of the feast. Subsequently, the champion of the day’s tournament would carve the fowl and demonstrate his swordsmanship by apportioning equal servings to every guest. At the end of the carving, the knight would place his hand upon the bird’s plumage and swear that he would be the first to plant his standard upon the walls of a besieged city, the first to strike a blow against the enemy and defend the honor of his lady. The lady of the highest rank, Juno, was played by Tiffany’s family friend Phyllis de Kay, followed by a train of Tiffany’s grandchildren carrying salvers of roast peacocks, sucking pigs, ducklings, frog legs and turtles. At the end of the meal, a separate group of children bearing Tiffany lamps and rose petals led the 150 guests to the terraced garden for coffee and conversation.
For Tiffany, the peacock was the living incarnation of iridescence in the natural world. In a letter to Hugh Mckean, Tiffany’s granddaughter Helena de Kay recalled that Tiffany raised peacocks for consumption in his farm complex. Entranced with their beauty, Tiffany would bring the birds from the farm to wander the grounds of Laurelton Hall. As part of a spring flower-viewing party, a sixty-six-year-old Tiffany threw his now-fabled “Peacock Feast.” The guest list included notable artists, architects, sculptors, and literati who would laud the soirée for years to come. The theme of the party is ascribed to the legend of Juno and Argus from Ovid’s Metamorphoses. According to legend, Juno kidnaps Jupiter’s lover Io, and sets her hundred-eyed giant Argus to the task of guarding her. In vengeance, Jupiter dispatched Mercury, the messenger of the gods to behead Argus. Upon seeing his lifeless body, Juno decorated the plumage of the peacock with Argus’ eyes. For the feast, peacocks from Tiffany’s farms were flayed, roasted, and redressed in their gorgeous plumage. Tiffany based the format of the peacock feast on medieval Christmas tradition. Towards the end of the feast, the peacock was brought ceremoniously with music to the end of the table. The train of ladies ordered from highest to lowest rank would march to the master of the feast. Subsequently, the champion of the day’s tournament would carve the fowl and demonstrate his swordsmanship by apportioning equal servings to every guest. At the end of the carving, the knight would place his hand upon the bird’s plumage and swear that he would be the first to plant his standard upon the walls of a besieged city, the first to strike a blow against the enemy and defend the honor of his lady. The lady of the highest rank, Juno, was played by Tiffany’s family friend Phyllis de Kay, followed by a train of Tiffany’s grandchildren carrying salvers of roast peacocks, sucking pigs, ducklings, frog legs and turtles. At the end of the meal, a separate group of children bearing Tiffany lamps and rose petals led the 150 guests to the terraced garden for coffee and conversation.
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